鄭宜蘋

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1986年生於台灣嘉義,現於台北創作。身上流著聲音藝術家與電子樂創作者的新數位混種基因。受臥室電子樂與次文化影響甚深,往來舞曲與噪音之間毫無阻礙。台北藝術大學戲劇系主修表演,2008年畢業後開始使用個人電腦創作臥房電子樂,2010年進入台北藝術大學新媒體藝術研究所研究媒體藝術;作品內容多半為聲音與行為表演的現場藝術,探究身體操作聲音的新形態,擅長利用自身的身體語彙提出身體政治的精神意識形態。嘗試讓次文化精神與藝術思維混種的實驗。

曾跨界參與聲音藝術,電子樂表演,劇場音樂設計。為2012年電子樂推廣團體「耕聲人」主辦人之一,於當年九月促成台灣第一張以臥室電子樂反核人共同發起的「i love nuclear」的反核電音合輯,為台灣新生代聲音藝術搖籃的「失聲祭」2013年駐祭藝術家。更被國際前衛藝術雜誌「white fungus」多次邀請,與國際知名電子聲響藝術家Merzbow,EVOL,Zbigniew Karkowski , Scott Afford,王福瑞,Samin Son,同台演出。

Betty Apple is an artist who is at the forefront of a new wave of experimental sound art in Taipei, drawing upon performance art and electronic music to create powerful works that have propelled her rapid rise in the island's art scene. 2012 saw her support Merzbow at The Wall in Taipei, and do performances alongside Zbigniew Karkowski and EVOL. Apple delivered her performance / sound piece "Vibrator Love" at the Lab in San Francisco and NK in Berlin, as part of a release events for White Fungus magazine. She was also an artist in residence at Lacking Sound Festival in Taipei. Apple came to sound composition from a background in theatre, before moving into sound and studying under Wang Fujui at Taipei National University of the Arts. She is an accomplished producer of electronic music and a DJ but also works with noise and range of aberrant textures.

wrote by Mark Hanson / White fungus editor

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